b'Figured Rio ArielI made this one for Mike English wholong dovetail, with rosewood linesMuch of todays inlay work is cut has organised this book and takenin between each layer. The bindingsby computer-controlled machines, most of the photographs. He gaveare Burr Yew, incredibly difficult towith deadly accuracy. This means me some rather loose specificationsbend, with Abalone shell purflingsthat it is difficult for hand inlay to of size and materials, and left the restround each edge and around thecompete, and has become devalued up to me. I found some spectacularheadstock. Thats about 8 metres ofas a result. The time involved is often Brazilian Rosewood for the back andshell lines in one guitar, assembledout of proportion with the rest of sides of an Ariel guitar, with selectedfrom hundreds of tiny little pieces. the guitar, so I will only occasionally Western Red Cedar soundboard,The fingerboard inlays might look likeagree to anything other than very then worked on the decorations andstandard diamonds, but each onesimple designs. But sometimes, its details over a period of 12 months.is cut from Abalone, and borderedfun.The neck is three pieces ofby fine mother of pearl lines to make Mahogany tapered together like athem stand out from the black Ebony.323'