b'Macassar Ebony FalstaffIt is very hard finding the timetold you. Mr Honest, thats me. bottom of various creeks and docks, to make my personal selectionThe other neck laminations arewhich is why it is referred to as instruments, but I do feel its theebony (Cameroon, not Indian, tosinker redwood.way to get the best of everythingmeet the Lacey act in the US) Its the typical sound for these in an instrument, and then its a and question of matching the guitar withMahogany, with Gotoh 510s on thetimbers, dark, so dark, but clean the customer. This guitar has almostheadstock. and pure. If you think of a big guitar, been building itself quietly in a corner,Ive talked about Seqouia a greatfull of all the tones you can imagine, little things suggesting themselves asdeal; I used it quite a lot in the 1970sthen file off all the sharp edges on it went along over about 8 months.before it became a tonewood.each of those tones, thats what you Macassar Ebony, Sinker RedwoodMost, or even all of what wasget. More Helen Shapiro than Lulu. and Snakewood. The centre sectiongrowing 30 years ago is still there,Showing my age again.of the neck lamination is actuallygetting taller and taller, then falling a piece of some unknown timber,over, but still nobody is allowed most likely Sapele, but it has a figureto use any of it. It is one part of similar to the Snakewood and withthe green movement that I dont a little bit of stain its a good match.understand. The only Seqouia we You wouldnt have known if I hadntcan use now has been lying at the 262'