b'Megan HenwoodI met Megan when she was touringthe same Purpleheart that Eric hadexpected. Ive been experimenting with Eric Bibb, after winning therecently, but Megans guitar is nearerwith shallow bodies, they do seem Radio 2 Young Folk Awards in 2009,to a Goodfellow size with a top madeto push the sound out rather well. and I discovered she was managedfrom a very colourful piece of myAnother first here are the gold inlay by my old friend Barrie Barlow fromdwindling supply of Columbian Pinelines, I knew some years ago that Jethro Tull, who joined Terry Packfrom Talisker distillery. The neck iscolour would play a part in more and I in the Pack Leader electricmahogany with a central Purpleheartof my guitars, it adds a little class guitar venture. It was obvious thatsection and two ebony lines. Thewithout being too brash. Im very she had something special in herguitar back has a centre section ofpleased with Rosie, as Megan calls singing and song writing, but also inEbony to match. There is a lovelyher and I am sure I will be making her very honest and pleasant stageswirl in the grain of the neck, justmore. presence. Fortunately, she was verywhere its OK to have a swirl. TheMegan has a real talent, and I do keen on a new guitar. I do like itbindings are Coconut. Megan calls ithope she can navigate the murky when different things and influencesCoco, which has made me wish Idmusic world to reach the place come together, it feels complete. used a little Cocobolo as well as thewhere she wants to be, wherever Megans father is a builder of highCoconut. that may be. quality traditional boats, so we hadMegans second guitar is the first lots to talk about, and he and Iof what might become many. The swapped pieces of timber. She wassize is a slightly shrunken Falstaff, very keen on a lot of colour in thewith shallower sides than might be guitar, and actually chose some of 269'