b'African Blackwood & Italian Spruce AlexanderI made a similar guitar about twoEbony as some people think. Thistrebles, they seem to swell after years ago, with a longer scale andpiece is darker than it looks in thethe initial note, while the bass sits using German Spruce. It caughtpictures, its so difficult to photographunmovable in the background, like a everyones attention and now livesthat Mike has to pour lots of lightrather large nightclub bouncer. with Troy Donockley.onto it. The back is three-piece, asI had Clive Caroll play it for me whileThe Italian Spruce does seem tobigger pieces are already becomingI listened closely; its the best way to have something extra, its a harderso expensive and difficult to find. Thelearn what is actually happening.I timber, and produces a stronger46 mm neck is mahogany, which Ithink all Fyldes have a strong middle, sound. African Blackwood iswanted to stain black, but the woodand this guitar has all the rest as well, becoming the wood of choice forwouldnt accept enough colour, soeven I am pleased.travelling professionals as BrazilianI have left it brown with black grain, Rosewood is causing so much worryrather nice I think. The bindings are when crossing borders. Most of itrosewood to keep it simple, and the is not even close to black in colour,tuners velvety Gotoh 510s.and technically, its a Rosewood -The tone range is huge, and Im Dalbergia Melanoxylon, and not anparticularly pleased with the high 319'