b'Top: After the rough shaping, there is always a bit of detail to finish off and blending one curve into another. This is the spokeshave again, pushing down the grain with the blade at an angle to control and balance the cut. There is no need for fancy jigs, clamping the neck to the bench is quite good enough.Bottom left: A saw file made out of hacksaw blades which will flatten an area even if the grain is twisted and interlocked, which in the guitar world, it often is.Bottom right: The Japanese chisel again, getting into a tight curve, this time working like a draw knife, with the bevel rubbing against the wood to stop the sharp edge digging in.185'